Complete Conductor, The

By Robert W. Demaree, Donald V Moses

Published by Pearson

Published Date: Aug 10, 1994

Table of Contents

I. LINKING THE MIND AND BODY.

 1. The Intellectual Basis.

 2. The Physical Basis.

 3. The Right Hand: Commencing.

 4. The Right Hand: Continuity.

 5. The Right Hand: Changing the Flow.

 6. The Right Hand: Closure.

 7. The Left Hand: Adding Emphasis.

 8. Leadership.

II. CONDUCTING VOICES.

 9. Choral Fundamentals.

10. Style and Performance: Medieval and Renaissance Vocal Works.

11. Style and Performance: Baroque and Classical Vocal Works.

12. Style and Performance: Romantic and Twentieth-Century Vocal Works.

III. CONDUCTING INSTRUMENTS.

13. Instrumental Fundamentals.

14. Style and Performance: Renaissance and Early Baroque Instrumental Works.

15. Style and Performance: Late Baroque and Classical Instrumental Works.

16. Style and Performance: Romantic and Twentieth-Century Instrumental Works.

IV. MASTERY AND MANAGEMENT.

17. Planning, Programming, and Administration.

18. Interpretation: Expression as an Outgrowth of Style Study.

19. In the Rehearsal.

20. The Performance.

21. Style and Performance: Conducting a Major Baroque Work.

22. Style and Performance: Conducting a Major Viennese Classical Work.

23. Style and Performance: Conducting a Concerto for Violin and Orchestra.

24. Style and Performance: Conducting a Major Work for Concert Band.

25. Style and Performance: Conducting a Twentieth-Century Opera.

Appendixes.

Bibliography.

Index.

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Complete Conductor, The

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